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Written by Kevin Rennie
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Friday, 19 February 2010 13:38 |
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A couple of reviews of Oscar contenders doing the rounds at present:
Kathryn Bigelow’s The Hurt Locker is a well crafted film, with a tight, engrossing script by Mark Boal. It is visually appealing if that term can be used to describe Baghdad’s urban battleground. It tells the story of a US army bomb disposal team in Iraq in 2004.
It’s hard not to have problems with subject matter that is not only very confronting but whose multiple layers will appeal to diverse audiences. The horror and inhumanity of war may well be lost on those looking for an action adventure. You have to wonder whether this is an intentional marketing tool. The official website talks about “the military’s unrecognised heroes”.
More:
The Hurt Locker: No Place for Heroes

Writer/director Scott Cooper’s Crazy Heart is the country music version of The Wrestler. A has-been loner struggles to regain career, love and self-respect. While alcohol runs his life, singing legend Bad Blake’s life consists of a downward spiral of one-night stands of both varieties. Bowling alleys, bars and baby-boomer groupies. After four previous nominations, Jeff Bridges might pull off the Best Actor Oscar that eluded Mickey Rourke last year. He was robbed, of course. Bridges’ gravely voice and roadmap face are tailor-made for his role. He oozes authenticity from start to finish or perhaps it’s just sweat. If it’s not the Academy Award makeup, then Jeff should take the cure immediately.
More:
Crazy Heart: Not Another One-night Stand |
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Written by joni
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Saturday, 30 January 2010 18:39 |
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A few days ago we heard the news that JD Salinger had died. He was most famous for his novel "Catcher in the Rye". I only got around to reading the novel a few years ago, and my only thought was "grow up, kid, and stop whining". Now, don't get me wrong, I did enjoy the novel but just could not identify with Holden at all. Perhaps because I was not a teenager when I read it.
I wonder, was the term "Cheer up, emo-kid" coined for Holden Caufield?
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Written by Kevin Rennie
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Tuesday, 19 January 2010 15:39 |
And now for something completely different. There is usually a new Python present available each Christmas. I've been given most of them. The latest is the DVD set of Monty Python: Almost the Truth - The Lawyers Cut Apart from the TV series, the pythons made two (of their four movies) cinema classics. Number One is Life of Brian, closely followed by the earlier Monty Python and the Holy Grail The set includes recent interviews with the five remaining members: John Cleese, Eric Idle, Terry Gilliam, Terry Jones and Michael Palin, plus Graham Chapman before his death in 1989. Regular python female Carol Cleveland, plus a host of off-screen crew and python friends also share their experiences. The rest of the Circus delight in reminding us, ever so gently, how difficult the truly brilliant Cleese could be. John shares many of their foibles as well. His eulogy for his writing partner Graham is priceless. The talking is interspersed with segments from the shows and films. There is a collection of several of the most famous sketches including the Dead Parrot, the Lumberjack and Fish Dancing. Python fans and those looking for a look at the bright side: Don't miss it!
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Written by Kevin Rennie
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Monday, 11 January 2010 18:44 |
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My promised review of the big one, Avatar: One, Two, Three Dimensional:
The last thing I expected from the latest blockbuster, Avatar in 3D, was to come away satiated. And not just because it’s so long. My fairly low expectations were easily exceeded, with the possible exception of the plot.James Cameron’s old fashioned, escapist entertainment is pitched at pubescents and above. That’s despite the M classification in Oz. This is a cross genre movie. It’s part sci-fi with clear ancestors in Stars Wars, Dune and Jurassic Park, part fantasy with dragons aplenty borrowed from Excalibur and Lord of the Rings, plus cowboys and indians thrown in for good measure. There are echoes of the Age of Chivalry as the White and Black Knights joust futuristically, more Monty Python than Camelot. This time they are following the U.S. Marine’s creed, which seems to have two distinct versions. The story is easy to follow if a bit laboured. It doesn’t really require most of the protagonist’s narration and video log voice-over. It is suitably predictable but then it’s action, not suspense or mystery.
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Written by Kevin Rennie
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Sunday, 27 December 2009 19:36 |
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Broken Embraces (Los abrazos rotos) is vintage Pedro Almodóvar.
It’s Pedro’s homage to film-making. It features a movie within the movie, a documentary about the making of the movie and a sequel. Moreover, there is a first release of ‘Girls and Suitcases’ plus a director’s cut.
Almodovar is not just one of the world’s foremost auteurs. His works virtually constitute a genre of their own. This venture has all his melodramatic trademarks. Love, jealousy, betrayal and tragedy. A disabled protagonist who has buried his former self. A menacing father and an obsessed gay son who battles his father’s rejection. A very vulnerable femme fatale. A lip reader. A mysterious past. Startling revelations. Several key incidents involve hospitals, which often play a pivotal role in his films. There is even a coma.
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